Praise And Fragrance

Τοιοῦτον δὲ προσαγαγὼν τῷ στόματί τε καὶ τῇ γλώσσῃ τῆς νύμφης τὸν ἔπαινον πάλιν πρὸς τὰ μείζω τῶν ἐγκωμίων μετέρχεται λέγων ὅτι Ὀσμὴ ἱματίων σου ὡς ὀσμὴ λιβάνου. Ὁ δὲ λόγος οὗτος φιλοσοφία τίς ἐστιν εἰς ὅτι βλέπει τοῖς ἀνθρώποις ὁ κατ’ ἀρετὴν βίος ὑποδεικνύων· πέρας γὰρ τῆς ἐναρέτου ζωῆς ἡ πρὸς τὸ θεῖόν ἐστιν ὁμοίωσις· καὶ τούτου χάριν ἥ τε τῆς ψυχῆς καθαρότης καὶ τὸ πάσης ἐμπαθοῦς διαθέσεως ἀνεπίμικτον δι’ ἐπιμελείας κατορθοῦται τοῖς ἐναρέτοις, ὥστε τινὰ χαρακτῆρα τῆς ὑπερκειμένης φύσεως διὰ τῆς ἀστειοτέρας ζωῆς καὶ ἐν αὐτοῖς γενέσθαι. Ἐπειδὴ τοίνυν οὐ μονοειδής τίς ἐστιν οὐδὲ μονότροπος ἡ κατ’ ἀρετὴν πολιτεία, ἀλλ’ ὥσπερ ἐπὶ τῆς τῶν ὑφασμάτων κατασκευῆς διὰ πολλῶν νημάτων, τῶν μὲν ἐπ’ εὐθείας ἀνατεταμένων τῶν δὲ κατὰ τὸ πλάγιον διῃρμένων, ἡ ὑφαντικὴ τέχνη τὴν ἐσθῆτα ποιεῖ, οὕτω καὶ ἐπὶ τῆς ἐναρέτου ζωῆς πολλὰ χρὴ συνδραμεῖν, δι’ ὧν ὁ ἀστεῖος ἐξυφαίνεται βίος, καθὼς ἀπαριθμεῖται τὰ τοιαῦτα νήματα ὁ θεῖος ἀπόστολος, δι’ ὧν ἡ τῶν καθαρῶν ἔργων ἱστουργία συνίσταται, ἀγάπην λέγων καὶ χαρὰν καὶ εἰρήνην, μακροθυμίαν τε καὶ χρηστότητα καὶ πάντα τὰ τοιαῦτα, οἷς κατακοσμεῖται ὁ ἐκ τοῦ φθαρτοῦ τε καὶ γηΐνου βίου τὴν οὐράνιον ἀφθαρσίαν μετενδυόμενος, τούτου χάριν ἀποδέχεται τὸν ἐν τῇ ἐσθῆτι κόσμον τῆς νύμφης ὡς τῷ λιβάνῳ κατὰ τὴν ὀσμὴν ὁμοιούμενον. Kαίτοι γε πρὸ τούτου πάντων εἶπε τῶν ἀρωμάτων προέχειν τὴν τοῦ μύρου τῆς νύμφης εὐωδίαν, ὡς δοκεῖν ἐν τούτῳ καθαίρεσιν εἶναι τῶν ἐγκωμίων, εἴπερ ἡ παντὸς ἀρώματος ὑπερτεθεῖσα νῦν πρὸς ἓν τῶν ἀρωμάτων ὁμοιοῦται διὰ συγκρίσεως, οὕτως εἰπόντος τοῦ λόγου ὅτι κατὰ τὴν ὀσμὴν τοῦ λιβάνου ἡ τῶν ἱματίων σού ἐστιν εὐωδία. Ἀλλ’ ἐπειδὴ ἰδιαζόντως κατά τινα λόγον εἰς τὴν τοῦ θείου τιμὴν ἀποτεταγμένον ἦν τὸ τοῦ λιβάνου θυμίαμα, τούτου χάριν ἡ ὑπὲρ πάντα τὰ ἀρώματα εἶναι κριθεῖσα ἀξιοῦται τῆς πρὸς τὸ ἓν ἄρωμα ὁμοιώσεως τὸ τῷ θεῷ ἀνακείμενον, ὡς τὸ νόημα τοῦ αἰνίγματος τοιοῦτον εἶναι ὅτι· σοί, ὦ νύμφη, τῶν ἀρετῶν ἡ περιβολὴ τὴν θείαν μιμεῖται μακαριότητα διὰ καθαρότητός τε καὶ ἀπαθείας τῇ ἀπροσίτῳ φύσει ὁμοιουμένη· τοιαύτη γάρ, φησίν, ἡ τῶν σῶν ἱματίων ὀσμή, ὡς πρὸς τὸν λίβανον ἐμφερῶς ἔχειν τὸν ἀνακείμενον εἰς τὴν τοῦ θείου τιμήν. Ἅγιος Γρηγόριος Νύσσης, Ἐξηγησις Του Αἰσματος Των Ἀσμάτων, Ὁμιλία θʹ Source: Migne PG 44.960d-961c

Having acclaimed the mouth and the tongue of the bride in this manner, He again passes on to a higher order of praise, saying, 'The fragrance of your garments is as the fragrance of frankincense.' 1 This statement is something philosophical, since it indicates to men what the life according virtue should be, for the limit that the virtuous life approaches is likeness to the Divine, and for the sake of this both the purity of the soul and its separation from every disposition of passion are carefully achieved in the virtuous, so that they receive a certain impression of the transcendent Nature through the greater nobility of their life. Then since the virtuous life is not uniform and does not have a single style, for as the art of weaving a garment is performed with the use of many threads, some being stretched vertically and others horizontally, thus even in the the virtuous life many things must twine together if a noble life is to be fashioned, so the holy Apostle enumerates such threads, through which pure works are woven together on the loom, speaking of love and joy and peace and patience and kindness and all such things that adorn the one who from a corruptible and earthly life is putting on the garment of heavenly incorruptibility, 2 for which reason the adornment of the Bride’s garment is likened in its fragrance to be like frankincense. Certainly the Bridegroom earlier said that the sweet smell of the Bride's perfume excelled all the spices, and thus it seems that if she who surpassed all spices is now likened to one particular spice, as the Word says with, 'The sweet smell of your clothing conforms to the fragrance of frankincense,' then it appears to nullify his previous tributes, but since for some reason frankincense was set apart for the honour of the Deity, she who was deemed to be above all spices is reckoned worthy of being likened to the particular spice that is dedicated to God, and so the meaning of the mystery is this, 'O bride, your garment of virtues is like the Divine blessedness since its purity and impassibility is like the unapproachable Nature. For,' he says, 'the scent of your garments is such as to possess a resemblance to that frankincense that is dedicated to the honouring of God.' Saint Gregory of Nyssa, Commentary on The Song of Songs, from Homily 9 1 Song 4.11 2 Galat 5.22, 1 Cor 15.53

Higher And Higher

Δεῦρο ἀπὸ λιβάνου, νύμφη, δεῦρο ἀπὸ λιβάνου· ἐλεύσῃ καὶ διελεύσῃ ἀπὸ ἀρχῆς πίστεως Tί τοίνυν ἐν τούτοις ὑπενοήσαμεν; ἀεὶ τῶν ἀγαθῶν ἡ πηγὴ πρὸς ἑαυτὴν τοὺς διψῶντας ἐφέλκεται, καθὼς ἐν τῷ εὐαγγελίῳ φησὶν ἡ πηγὴ ὅτι Εἴ τις διψᾷ, ἐρχέσθω πρός με καὶ πινέτω· ἐν τούτοις γὰρ οὔτε τῆς δίψης οὔτε τῆς πρὸς αὐτὸν ὁρμῆς οὔτε τῆς ἐν τῷ πίνειν ἀπολαύσεως ἔδωκεν ὅρον, ἀλλὰ τῷ παρατατικῷ τοῦ προστάγματος πρὸς τὸ διηνεκὲς ποιεῖται τὴν προτροπὴν καὶ τοῦ διψῆν καὶ τοῦ πίνειν καὶ τοῦ πρὸς αὐτὸν τὴν ὁρμὴν ἔχειν. Tοῖς δὲ γευσαμένοις ἤδη καὶ τῇ πείρᾳ μαθοῦσιν ὅτι χρηστὸς ὁ Kύριος οἷόν τις προτροπὴ πρὸς τὴν τοῦ πλείονος μετουσίαν ἡ γεῦσις γίνεται. Διὰ τοῦτο οὐδέποτε λείπει τῷ ἀναβαίνοντι ἡ γινομένη πρὸς αὐτὸν προτροπὴ ἡ πάντοτε πρὸς τὸ μεῖζον ἐφελκομένη· ὑπομνησθῶμεν γὰρ τῆς πολλάκις ἐν τοῖς φθάσασιν ἤδη γεγενημένης παρορμήσεως παρὰ τοῦ λόγου τῇ νύμφῃ. Ἐλθέ, ἡ πλησίον μου, λέγει καὶ πάλιν Δεῦρο περιστερά μου, καὶ Δεῦρο σεαυτῇ ἐν σκέπῃ τῆς πέτρας. Kαὶ ἄλλας τοιαύτας φωνὰς προτρεπτικάς τε καὶ ἑλκτικὰς τῆς τῶν μειζόνων ἐπιθυμίας ὁ λόγος πρὸς τὴν ψυχὴν ποιησάμενος καὶ μαρτυρήσας ἤδη τῇ πρὸς αὐτὸν ἀνιούσῃ τὸ διὰ πάντων ἀμώμητον εἰπὼν ὅτι Ὅλη καλὴ εἶ καὶ μῶμος οὐκ ἔστιν ἐν σοί, ὡς ἂν μὴ τῇ μαρτυρίᾳ ταύτῃ ἐγχαυνωθεῖσα πρὸς τὴν τῶν μειζόνων ἄνοδον ἐμποδισθείη, πάλιν διὰ τῆς προτρεπτικῆς ταύτης φωνῆς ἐπὶ τὴν τῶν ὑπερκειμένων ἐπιθυμίαν ἀναβῆναι παρακελεύεται λέγων Δεῦρο ἀπὸ λιβάνου, νύμφη. Tὸ δὲ λεγόμενον τοιοῦτόν ἐστι· καλῶς, φησίν, ἐν τοῖς φθάσασιν ἠκολούθησας, ἦλθες μετ’ ἐμοῦ πρὸς τὸ ὄρος τῆς σμύρνης, συνετάφης γάρ μοι διὰ τοῦ βαπτίσματος εἰς τὸν θάνατον, συνανῆλθές μοι καὶ ἐπὶ τὸν βουνὸν τοῦ λιβάνου, συνανέστης γάρ μοι καὶ ὑψώθης ἐν τῇ τῆς θεότητος κοινωνίᾳ, ἣν ἐνδείκνυται τοῦ λιβάνου τὸ ὄνομα, ἀνάβηθί μοι καὶ ἀπὸ τούτων ἐπὶ ἕτερα ὄρη προκόπτουσά τε καὶ ὑψουμένη διὰ τῆς ἐνεργοῦς γνώσεως, δεῦρο τοίνυν ἀπὸ τοῦ λιβάνου, φησίν, οὐκέτι μνηστὴ ἀλλὰ νύμφη. Oὐ γάρ ἐστι δυνατὸν ἐμοὶ συζῆσαι μὴ ἀλλοιωθέντα διὰ τῆς τοῦ θανάτου σμύρνης πρὸς τὴν τοῦ λιβάνου θεότητα. Ἐπεὶ οὖν ἐν τούτῳ γέγονας ἤδη τῷ ὕψει, μὴ στῆς ἀνιοῦσα ὡς ἤδη διὰ τούτων ἐπιβᾶσα τῆς τελειότητος· ἀρχὴ γάρ σοι πίστεως ὁ λίβανος οὗτος γίνεται, οὗ μετέσχες διὰ τῆς ἀναστάσεως, ἀρχὴ δὲ τῆς ἐπὶ τὰ ὑψηλότερα τῶν ἀγαθῶν πορείας. Ἀπὸ τοίνυν τῆς ἀρχῆς ταύτης, ἥτις ἐστὶν ἡ πίστις, ἐλεύσῃ καὶ διελεύσῃ· τουτέστι καὶ νῦν ἥξεις καὶ εἰς ἀεὶ διερχομένη διὰ τῶν τοιούτων ἀνόδων οὐκ ἀπολήξεις. Ἅγιος Γρηγόριος Νύσσης, Ἐξηγησις Του Αἰσματος Των Ἀσμάτων, Ὁμιλία Hʹ Source: Migne PG 44.941d-944c

Come away from frankincense, O bride, come away from frankincense, come and pass through the beginning of faith. 1 What, then, are we to understand by this? The wellspring of good things always draws the thirsty to itself, as in the Gospel the wellspring says, 'If anyone thirsts, let him come to me and drink,' 2 in which He sets no limit to thirst, or to the urge to come, or to the enjoyment of the drinking, but by the openness of His injunction He proclaims a continuing invitation to both thirsting and drinking and the urge to come. To those who have already tasted and have learned from the experience 'that the Lord is good,' 3 the tasting becomes an invitation to partake of more tasting. Because of this the invitation that is always drawing us to what is greater is never lacking in the one who is travelling upwards. Let us recall what was often said by the Word to the bride earlier, 'Come, my close one,' He says,' and again, 'Come, my dove, and come for yourself … to the shelter of the rock.' 4 Indeed the Word has also addressed other such things, fashioned to exhort the soul and make it desire greater things, and He has already given witness of its flawlessness in everything as it rises to Him, saying, 'You are wholly beautiful and there is no flaw in you.' 5 But lest it become proud by this witness, which would hinder its ascent to greater things, again with a voice of exhortation He calls on it to rise up to a desire which yet lies beyond, 'Come away from frankincense, O bride.' What is being said is something like this, 'You have followed well in what has gone before. You came with me to the mountain of myrrh, for you were buried with me by baptism into death, 6 and you even accompanied me to the hill of frankincense, for you rose with me and were lifted up to communion with the Godhead, which is what the word frankincense indicates, now rise with me from these to other heights, advancing and ascending by the working of knowledge.' 'Come, then, from frankincense,' he says, 'no longer as one betrothed, but as the bride.' For it is not possible to live together with me unless you are transformed by the myrrh of death into the deity of frankincense. Since, then, you have already come to this height, do not pause in your ascent, for you have not reached perfection by these accomplishments. This frankincense, which you have come to share, is the beginning of faith for you through the resurrection, and it is the beginning of a journey toward greater heights of goodness. Come, then, from this beginning which is faith, come and pass over,' that is, 'even now you shall come, and you shall pass forever through such ascents and not cease.' Saint Gregory of Nyssa, Commentary on The Song of Songs, from Homily 8 1 Song 4.8 LXX 2 Jn 7.37 3 Ps 33.9, 1 Pet 2.3 4 Song 2.13-14 5 Song 4.7 6 Rom 6.4

The Kiss Of Wisdom

Osculetur me osculo oris sui... Vos quoque, ut caute in arcanis sensibus pedem figatis, mementote semper, quod sapiens admonet: Altiora, inquit, te ne quaesieris, et fortiora te ne scrutans fueris. In spiritu ambulate in illis, et non in sensu proprio. Doctrina Spiritus non curiositatem acuit, sed charitatem accendit. Merito proinde sponsa, quem diligit anima sua inquirens, non se suae carnis sensibus credit, non curiositatis humanae inanibus ratiociniis acquiescit; sed petit osculum, id est Spiritum sanctum invocat, per quem accipiat simul et scientiae gustum, et gratiae condimentum. Et bene scientia, quae in osculo datur, cum amore recipitur; quia amoris indicium osculum est. Scientia ergo quae inflat, cum sine charitate sit, non procedit ex osculo. Sed nec qui zelum Dei habent, et non secundum scientiam, sibi ullatenus arrogent illud. Utrumque enim munus simul fert osculi gratia, et agnitionis lucem, et devotionis pinguedinem. Est quippe Spiritus sapientiae et intellectus, qui instar apis ceram portantis et mel, habet omnino et unde accendat lumen scientiae, et unde infundat saporem gratiae. Neuter ergo se osculum percepisse putet, sive qui veritatem intelligit, nec diligit; sive qui diligit, nec intelligit. Sane in osculo isto nec error locum habet, nec tepor. Sanctus Bernardus Clarae Vallensis, In Cantica Canticorum, Sermo VIII, Quomodo per osculum oris Dei significatur Spiritus Sanctus Source: Migne PL 183.812d-813b

Let him kiss me with the kiss of his mouth... 1 You also, if you would prudently fix your foot in the understanding of the mysteries, should always remember what the wise man warns, 'Do not seek after things too high, nor grapple with things that are too difficult.' 2 You must walk in the Spirit in these things and not according to your own mind. The teaching of the Spirit does not sharpen curiosity but it inspires love. Rightly, then, the bride, seeking him whom her heart loves, does not trust the corporeal senses, nor does she give herself to the inane thoughts of human curiosity, but she asks for a kiss, that is, she calls upon the Holy Spirit, through whom she receives, at the same time, the taste of knowledge and the seasoning of grace. And well it is that the knowledge given in the kiss is received with love, since the kiss is the mark of love. Therefore the knowledge that puffs up, since it lacks love, does not come from the kiss. 3 Even those who have a zeal for God, but not according to knowledge, may not for any reason lay claim to it. The favour of the kiss bears a twofold gift, the light of knowledge and the fervour of devotion. He is in truth the Spirit of wisdom and understanding, who, like the bee carrying its burden of wax and honey, has the power both of kindling the light of knowledge and infusing the delicious fragrance of grace. Therefore no one should think they have been given the kiss, who knows the truth and does not love, nor should anyone who loves without understanding. Certainly in this kiss there is no place for error, nor tepidity. Saint Bernard of Clairvaux, Commentary On The Song of Songs, from Sermon 8, How the Holy Spirit is signified by the kiss of the mouth of God 1 Song 1.1 2 Eccl 3.22 3 1 Cor 8.1

The Wound Of Love

Ἐὰν εὕρητε τὸν ἀδελφιδόν μου, ἀπαγγείλατε αὐτῷ, ὅτι τετρωμένη ἀγάπης εἰμὶ ἐγώ. Kαλὰ δὲ εἶναι τῆς ἀγάπης τὰ τραύματα καὶ παρὰ τῆς Παροιμίας ἐμάθομεν ἥ φησιν Αἱρετὰ μὲν τοῦ φίλου τὰ τραύματα, κακὰ δὲ τῆς ἔχθρας καὶ τὰ φιλήματα. Tίς δὲ ὁ φίλος οὗ τὰ τραύματα τῶν φιλημάτων τοῦ ἐχθροῦ προτιμότερα, παντὶ δῆλόν ἐστι τῷ μὴ ἀγνοοῦντι τὰ τῆς σωτηρίας μυστήρια. Φίλος μὲν γάρ ἐστιν ἀληθινός τε καὶ βέβαιος ὁ καὶ ἐχθροὺς γενομένους ἡμᾶς τοῦ ἀγαπᾶν μὴ παυσάμενος, ἐχθρὸς δὲ ἄπιστός τε καὶ ἀνήμερος ὁ μηδὲν ἠδικηκότας ὑπαγαγὼν τῷ θανάτῳ. Tραῦμα τοῖς πρωτοπλάστοις ἐδόκει ἡ διὰ τῆς ἐντολῆς γενομένη τοῦ κακοῦ ἀπαγόρευσις, τραῦμα γὰρ ἐνομίσθη τοῦ ἡδέος ἡ ἀλλοτρίωσις, φίλημα δὲ ἡ πρὸς τὸ ἡδὺ καὶ εὐφανὲς προτροπή. Ἀλλ’ ἔδειξεν ἡ πεῖρα ὅτι τὰ νομιζόμενα τοῦ φίλου τραύματα τῶν φιλημάτων ἦν τοῦ ἐχθροῦ λυσιτελέστερά τε καὶ αἱρετώτερα. Ἐπεὶ οὖν συνέστησεν ἑαυτοῦ τὴν ἀγάπην ὁ καλὸς ἐραστὴς τῶν ἡμετέρων ψυχῶν, δι’ ἣν καὶ Ἁμαρτωλῶν ὄντων ἡμῶν Χριστὸς ὑπὲρ ἡμῶν ἀπέθανε, διὰ τοῦτο ἀντερασθεῖσα ἡ νύμφη τοῦ ἀγαπήσαντος δείκνυσιν ἐν ἑαυτῇ ἐγκείμενον διὰ βάθους τῆς ἀγάπης τὸ βέλος, τουτέστι τὴν τῆς θεότητος αὐτοῦ κοινωνίαν· ἡ γὰρ ἀγάπη ἐστὶν ὁ θεός, καθὼς εἴρηται, ἡ διὰ τῆς κατὰ τὴν πίστιν ἀκίδος τῇ καρδίᾳ ἐγγενομένη. Eἰ δὲ χρὴ καὶ ὄνομα τοῦ βέλους εἰπεῖν τούτου, ἐροῦμεν ὃ παρὰ τοῦ Παύλου ἐμάθομεν ὅτι τὸ βέλος τοῦτό ἐστι Πίστις δι’ ἀγάπης ἐνεργουμένη. Ἅγιος Γρηγόριος Νύσσης, Ἐξηγησις Του Αἰσματος Των Ἀσμάτων, Ὁμιλία IΓ’ Source: Migne PG 44.1044b-d

If you should find my kinsman, say to him that I am wounded by love. 1 That the wounds of love are beautiful we have learnt from Proverbs, which says, 'The wounds of a friend are desirable, but the kisses of an enemy are evil.' 2 And the answer to the question of who the friend is whose wounds are more beneficial than the kisses of a foe is obvious to everyone who is not ignorant of the mysteries of salvation. The friend is the true and unshakable One who even when we were foes never stopped loving us, and the enemy is the faithless and savage one who brings death to those who have done him no harm. To the one who was first formed, the commandment’s prohibition of evil seemed a wound, since the separation from what gives pleasure was thought to be a wound, while a kiss is an incitement to what gives pleasure and appears good. But experience has shown that things thought as wounds from a friend are more profitable and more desirable than the kisses of an enemy. Since, then, the beautiful lover of our souls has commended His love, because of which 'Christ died for us when we were sinners,' 3 the bride, having returned her beloved's love, reveals the shaft of love deeply fixed within her, that is, her fellowship with the Deity. For God is love, 4 as it has been said, and He has come to dwell in the heart by the means of the shaft of faith. And if it is needful to give a name to this shaft, we repeat what we have learned from Paul, that this shaft is 'faith working through love.' 5 Saint Gregory of Nyssa, Commentary on The Song of Songs, from Homily 13 1 Song 5.8 2 Prov 27.6 3 Rom 5.8 4 1 Jn 4.8 5 Galat 5.6

Coming Nearer

Ἰδοὺ οὗτος ἕστηκεν ὀπίσω τοῦ τοίχου ἡμῶν παρακύπτων διὰ τῶν θυρίδων, ἐκκύπτων διὰ τῶν δικτύων. Tὸ μὲν οὖν σωματικῶς ἐν τῷ λόγῳ ὑπογραφόμενον τοιοῦτόν ἐστι, ὅτι ἔνδον οἰκουρούσῃ τῇ νύμφῃ διὰ τῶν θυρίδων ὁ ἐραστὴς διαλέγεται καὶ τοῦ τοίχου κατὰ τὸ μέσον ἀμφοτέρους διείργοντος ἀνεμπόδιστος γίνεται τοῦ λόγου ἡ κοινωνία διὰ μὲν τῶν θυρίδων τῆς κεφαλῆς παρακυπτούσης, διὰ δὲ τῶν δικτύων τῶν ἐν ταῖς θυρίσι πρὸς τὰ ἐντὸς τοῦ ὀφθαλμοῦ διακύπτοντος, ἡ δὲ κατὰ ἀναγωγὴν θεωρία τῆς προεξητασμένης ἔχεται διανοίας· ὁδῷ γὰρ καὶ ἀκολουθίᾳ προσοικειοῖ τῷ θεῷ τὴν | ἀνθρωπίνην φύσιν ὁ λόγος, πρῶτον μὲν αὐτὴν διὰ τῶν προφητῶν καταυγάζων καὶ τῶν νομικῶν παραγγελμάτων, οὕτω γὰρ νοοῦμεν· θυρίδας μὲν τοὺς προφήτας τοὺς τὸ φῶς εἰσάγοντας, δίκτυα δὲ τὴν τῶν νομικῶν παραγγελμάτων πλοκήν, δι’ ὧν ἀμφοτέρων ἡ αὐγὴ τοῦ ἀληθινοῦ φωτὸς ἐπὶ τὰ ἐντὸς παραδύεται· μετὰ ταῦτα δὲ ἡ τελεία τοῦ φωτὸς ἔλλαμψις γίνεται, ὅταν ἐπιφανῇ τὸ φῶς τὸ ἀληθινὸν τοῖς ἐν σκότει καὶ σκιᾷ θανάτου καθημένοις διὰ τῆς πρὸς τὴν φύσιν ἡμῶν συνανακράσεως. πρότερον οὖν αἱ αὐγαὶ τῶν προφητικῶν τε καὶ νομικῶν νοημάτων ἐλλάμπουσαι τῇ ψυχῇ διὰ τῶν νοηθεισῶν ἡμῖν θυρίδων τε καὶ δικτύων ἐπιθυμίαν ἐμποιοῦσι τοῦ ἰδεῖν ἐν ὑπαίθρῳ τὸν ἥλιον, εἶθ’ οὕτω τὸ ποθούμενον εἰς ἔργον προέρχεται. Ἅγιος Γρηγόριος Νύσσης, Ἐξηγησις Του Αἰσματος Των Ἀσμάτων, Ὁμιλία Ε’ Source: Migne PG 44.864c-d

Behold, he stands behind our wall, leaning through the windows, peering through the lattices. 1 What is literally described in the text is this, that the Beloved converses with the Bride and their talk is unimpeded because though the windows and the wall between them separates them, his face looks in through the windows, and his eyes peers through the latticework of the windows to the interior. The anagogical sense of the words, however, adheres closely to the understanding that we have discovered, for the Word follows a certain path and a certain sequence in adapting human nature to God. First of all He shines on it with the prophets and the law’s injunctions, and in our understanding the windows are the prophets, who bring in the light, and the lattices are the network of the law's commands, and through both of them the beam of the true light slips into the interior. After that comes the Light's perfect illumination, when, by its mingling with our nature, the true Light shows itself to those who are in darkness and the shadow of death. First, then, the beams of the prophetic and legal ideas, which illumine the soul by way of its windows and lattices, as we have understood it, imbue a desire to see the sun in the open air, and then, in the way indicated, the Beloved steps forward to do his work. Saint Gregory of Nyssa, Commentary on The Song of Songs, from Homily 5 1 Song 2.9

Putting To Death

Tu quoque si propriam deseras voluntatem, si corporis voluptatibus perfecte renunties, si carnem tuam crucifigas cum vitiis et concupiscentiis, sed et mortifices membra tua, quae sunt super terram: probabis te Pauli imitatorem, qui non facias animam tuam pretiosiorem te ipso; probabis et Christi discipulum, etiam illam perdendo salubriter. Et quidem prudentius eam perdis ut custodias, quam custodis ut perdas. Nam qui voluerit animam suam salvam facere, perdet eam. Quid hic vos dicitis, observatores ciborum, morum neglectores? Hippocrates et sequaces eius docent animas salvas facere in hoc mundo; Christus et eius discipuli, perdere. Quemnam vos e duobus sequi magistrum eligitis? At manifestum se facit qui sic disputat: hoc oculis, hoc capiti, et illud pectori vel stomacho nocet. Profecto unusquisque quod a suo magistro didicit, hoc in medium profert. Num in Evangelio legisti has differentias, aut in prophetis, aut in litteris apostolorum? Caro et sanguis pro certo revelavit tibi hanc sapientiam, non spiritus Patris; est enim carnis haec sapientia. Sed audi quid de ipsa nostri medici sentiant. Sapientia, inquiunt, carnis mors est; item: Sapientia carnis inimica est Deo. Num Hippocratis seu Galeni sententiam, aut certe de schola Epicuri debui proponere vobis? Christi sum discipulus; Christi discipulis loquor: ego si peregrinum dogma induxero, ipse peccavi. Epicurus atque Hippocrates corporis alter voluptatem, alter bonam habitudinem praefert; meus Magister utriusque rei contemptum praedicat. Animae in corpore vitam, quam summo studio iste unde sustentet, ille unde et delectet, inquirit atque inquirere docet, Salvator monet et perdere. Sanctus Bernardus Clarae Vallensis, In Cantica Canticorum, Sermo XXX. Qualiter populus fidelium seu animae electorum per vineas significantur ,quarum Ecclesia custos dicitur; et de prudentia carnis, quae est mors. Source: Migne PL 183.938d-939b

You too, if you abandon your own will, if you perfectly renounce the pleasures of the body, if you crucify your flesh with its passions and desires, and if you 'put to death your members which are on the earth,' 1 you will prove yourself to be an imitator of Paul, because you will not account your life as more precious than yourself. You will prove yourself a disciple of Christ by the loss that saves. It is wiser to lose it in order to save it, than by guarding it to lose it. 'For he who wants to save his life, will lose it.' 2 What do you say to this who are so particular about food and careless about conduct? Hippocrates and his followers teach us to save our lives in this world, Christ and his disciples teach us to lose them. Which of the two do you choose to follow as master? He clearly shows who he does who complains, 'This hurts my eyes, and this my head, and this my chest and my stomach.' Without doubt each of us speaks in the manner of the master he has learned from. Did you read of these distinctions in the Gospel, or in the Prophets, or in the letters of the Apostles? No, it was flesh and blood that revealed this wisdom to you, not the Spirit of the Father, 3 for it is the wisdom of the flesh. But hear what our physicians think of that. 'The wisdom of the flesh,' they say, 'is death;' and 'the wisdom of the flesh is an enemy of God.' 4 Should I propose to you the teaching of Hippocrates or Galen, or even of the school of Epicurus? I am a disciple of Christ, I am speaking to disciples of Christ, if I should introduce strange doctrines here, I sin. Epicurus thought the body's sensual pleasure was best, Hippocrates good health, but my Master preaches contempt for both. What with all zeal each one teaches, how to maintain the body's life or to serve its pleasures, the Savior admonishes us to lose. Saint Bernard of Clairvaux, Commentary On The Song of Songs, from Sermon 30, How the faithful people or the souls of the elect are signified by the vineyards, of which the Church is the guard, and on the wisdom of the flesh which is death 1 Colos 3.5 2 Mt 16.25 3 Mt 16.17 4 Rom 8.6-7

Likenesses Of Gold

Ὁμοιώματα χρυσίου ποιήσομέν σοι μετὰ στιγμάτων τοῦ ἀργυρίου... Ἄξιον δὲ τοῦτο μὴ παραδραμεῖν ἀθεώρητον, τί δή ποτε οὐκ αὐτὸ τὸ χρυσίον εἰς κόσμον παραλαμβάνεται ἀλλὰ τοῦ χρυσίου τὰ ὁμοιώματα καὶ οὐκ αὐτὸς ὁ ἄργυρος ἀλλὰ τὰ ἐκ τῆς ὕλης ταύτης τῷ ὁμοιώματι τοῦ χρυσίου ἐγκροτούμενα στίγματα. Ὃ τοίνυν περὶ τούτων ὑπενοήσαμεν τοιοῦτόν ἐστι· πᾶσα ἡ περὶ τῆς ἀρρήτου φύσεως διδασκαλία, κἂν ὅτι μάλιστα δοκῇ θεοπρεπῆ τινα καὶ ὑψηλὴν ἐμφαίνειν διάνοιαν, ὁμοιώματα χρυσίου ἐστίν, οὐκ αὐτὸ τὸ χρυσίον· οὐ γὰρ ἔστι παραστῆσαι δι’ ἀκριβείας τὸ ὑπὲρ ἔννοιαν ἀγαθόν. Kἂν Παῦλός τις ᾖ ὁ ἐν παραδείσῳ μυηθεὶς τὰ ἀπόρρητα, κἂν τῶν ἀλαλήτων ῥημάτων ἐπακροάσηται, ἀνέκφραστα μένει περὶ θεοῦ τὰ νοήματα· ἄρρητα γάρ φησιν εἶναι τῶν νοημάτων τούτων τὰ ῥήματα. Oἱ τοίνυν λογισμούς τινας ἡμῖν ἀγαθοὺς ἐντιθέντες περὶ τῆς τῶν μυστηρίων κατανοήσεως αὐτὸ μὲν εἰπεῖν ὅπως ἔχει φύσεως ἀδυνατοῦσι, λέγουσι δὲ ἀπαύγασμα δόξης, χαρακτῆρα ὑποστάσεως, μορφὴν θεοῦ, λόγον ἐν ἀρχῇ, λόγον θεόν· ἅπερ πάντα ἡμῖν μὲν τοῖς ἀθεάτοις ἐκείνου τοῦ θησαυροῦ χρυσίον δοκεῖ, τοῖς δὲ δυναμένοις ἀναβλέπειν πρὸς τὴν ἀλήθειαν ὁμοιώματά ἐστι χρυσίου καὶ οὐ χρυσὸς ἐν τοῖς λεπτοῖς τοῦ ἀργυρίου διαφαινόμενος στίγμασιν. Ἀργύριον δὲ ἡ ῥηματικὴ σημασία ἐστί, καθώς φησιν ἡ γραφὴ Ἄργυρος πεπυρωμένος γλῶσσα δικαίου. Tὸ τοίνυν διὰ τούτων δηλούμενον τοιοῦτόν ἐστιν ὅτι ἡ θεία φύσις πάσης ὑπέρκειται καταληπτικῆς διανοίας. Tὸ δὲ περὶ αὐτῆς ἡμῖν ἐγγινόμενον νόημα ὁμοίωμά ἐστι τοῦ ζητουμένου· οὐ γὰρ αὐτὸ δείκνυσιν ἐκείνου τὸ εἶδος, ὃ οὔτε τις εἶδεν οὔτε ἰδεῖν δύναται, ἀλλὰ δι’ ἐσόπτρου καὶ δι’ αἰνίγματος ἔμφασίν τινα σκιαγραφεῖ τοῦ ζητουμένου ἔκ τινος εἰκασμοῦ ταῖς ψυχαῖς ἐγγινομένην. Πᾶς δὲ λόγος τῶν τοιούτων νοημάτων σημαντικὸς στιγμῆς τινος ἀμεροῦς δύναμιν ἔχει μὴ δυνάμενος ἐμφῆναι ὅπερ ἡ διάνοια βούλεται· ὡς εἶναι πᾶσαν μὲν διάνοιαν κατωτέραν τῆς θείας κατανοήσεως, πάντα δὲ λόγον ἑρμηνευτικὸν στιγμὴν βραχεῖαν δοκεῖν μὴ δυνάμενον τῷ πλάτει τῆς διανοίας συνεπεκτείνεσθαι. Tὴν οὖν διὰ τῶν τοιούτων νοημάτων χειραγωγουμένην ψυχὴν πρὸς τὴν τῶν ἀλήπτων περίνοιαν διὰ μόνης πίστεως εἰσοικίζειν ἐν ἑαυτῇ λέγει δεῖν τὴν πάντα νοῦν ὑπερέχουσαν φύσιν. Ἅγιος Γρηγόριος Νύσσης, Ἐξηγησις Του Αἰσματος Των Ἀσμάτων, Ὁμιλία Γ’ Source: Migne PG 44.969d-972c

We will make for you likenesses of gold with silver studs... 1 It is important not to pass over this unexamined, why it is that it is not gold itself but likenesses of gold which are taken as adornments, and not silver itself but studs of that material which have been struck into the likenesses of gold. The underlying meaning here is this, that all teaching about the ineffable Nature amounts to likenesses of gold, and is not gold itself, even though it seems to exhibit an understanding that is sublime and worthy of God, for it is not possible to set out with any exactitude the Good that is above thought. Even though a certain Paul was initiated into things unspeakable in paradise, even though he heard unutterable words, his thoughts concerning God remain inexpressible, for he says that the words for these thoughts cannot be spoken. 2 So it is that those who provide us with good thoughts regarding the mysteries are not able to say what they are according to their nature, but they say, 'radiance of glory,' 'stamp of the substance,' 'form of God,' 'Word in the beginning,' 'Word Divine,' 3 and to those of who do not see all these expressions seem like the gold of that treasure, but to those who are capable of looking up toward the truth, they are likenesses of gold, and not gold, that appears amid the little studs of silver. Silver is verbal signification, as when Scripture says, 'As silver tried in fire is the tongue of a righteous man.' 4 What, then, is meant by these words is this, that the Divine Nature transcends the capability of our mind. Our thought concerning it is a likeness or image of what is sought, for it does not reveal the form of what no one has seen or can see, but writes darkly, in a mirror and in mystery, 5 what we seek, which is born in our souls from some conjecture. All speech that refers to such thoughts has the power of some indivisible mark, since it is unable to make manifest what the mind intends. Thus all our thinking is inferior to the Divine understanding, and every explanatory word of speech seems to be a small stud that cannot encompass the breadth of understanding. The soul, then, that is led by such thoughts to an awareness of things that cannot be grasped must by faith alone bring with itself the nature that transcends all understanding. Saint Gregory of Nyssa, Commentary on The Song of Songs, from Homily 3 1 Song 1.11 2 2 Cor 12.3–6 3 Heb 1.3, Phil 2.6, Jn 1.1 4 Prov 10.20 5 1 Cor 13.12

Bed And House

Ecce tu pulcher es, dilecte mi, et decorus. Lectulus noster floridus. Tigna domorum nostrarum cedrina, laquearia nostra cypressina. Tropologice. Fidelis anima est lectulus, in qua Christus per dilectionem habitat. Qui lectulus floret, dum anima se orando et legendo exercet. Lectulus etiam animae est bona conscientia, in qua, ut in lecto, secura quiescet anima. Qui lectus floret, dum aliis bonae vitae exemplum praebet. Ipsa est etiam domus Dei, in qua Christus habitat ut sponsus in thalamo. Cujus tigna sunt principales virtutes, scilicet prudentia, fortitudo, justitia, temperantia. Laquearia sunt obedientiae exempla, quae cedro vel cypresso comparantur, quia sicut hae arbores in ramis, sic in bones operibus multiplicantur. Vel domus animae est corpus, tigna ejus sunt quinque sensus, laquearia ejus corporis membra, quae, sunt cedrina et cypressina, dum militant ad nutum spiritus. Honorius Augustodunensis, Expositio in Cantica Canticorum, Caput I Source: Migne PL 172.381c

Behold you are beautiful, my beloved, and fair. Our bed is flourishing. The beams of our houses are of cedar, our rafters of cypress. 1 Tropologically the faithful soul is a bed in which Christ dwells through love. The bed flourishes when a soul exerts itself in prayer and reading. And the bed of the soul is a good conscience, in which, as in a bed, the soul rests securely. That bed flourishes when it gives an example of the good life to others. This is indeed the house of God, in which Christ dwells as the bridegroom in the chamber. The beams are the principle virtues, that is, prudence, fortitude, justice and temperance. The rafters are examples of obedience, which are compared to cedar and cypress because as those trees have their branches so good works are multiplied. Or the house of the soul is the body, and its beams are the five senses, and the rafters are the members of the body which are as cedar and cypress when they strive at the command of the spirit. Honorius of Autun, Commentary on The Song of Songs, Chapter 1 1 Song 1.15-16

Declare To Me

Annuntia mihi quem dilexit anima mea, ubi pascis, ubi cubas in meridie Non quaero alia tempora, quando vespere, quando dilucul, quando in solis pascis occubitu; illud tempus inquiro, quando florente die, quando plena luce in majestatis tuae splendore versaris. Annuntia mihi quem dilexit anima mea, ubi pascis, ubi cubas in meridie. Diligenter observa ubi meridiem legeris. Apud Joseph meridie fratres prandium celebrant. Angeli meridie Abrahae suscipiuntur hospitio, et caetera istiusmodi. Quaere, et invenies Scripturam divinam non frustra seu fortuitu unumquemque usurpare sermonem. Quis putas est dignus e nobis ut ad meridiem usque perveniat, et videat ubi pascat, ubi cubet sponsus? Annuntia mihi quem dilexit anima mea, ubi pascis, ubi cubas in meridie. Nisi enim tu mihi annuntiaveris, incipio errabunda jactari, et dum te quaero in aliorum greges incurro. Et quia aliorum erubesco aspectus, faciem meam atque ora mox contegere incipio. Sum quippe sponsa formosa, et aliis nudam faciem meam non ostendo, nisi tibi soli quem jampridem deosculata sum. Annuntia mihi quem dilexit anima mea, ubi pascis, ubi cubas in meridie, nequando fiam sicut cooperta super greges sodalium tuorum. Ut ista non patiar, ut non fiam cooperta, ut ora non contegam, et ad alios usuqe perveniens, incipiam forsitan et eos amare quos nescio; idcirco annuntia mihi ubi te quaeram et inveniam in meridie, ne forte fiam quasi cooperata super greges sodalium tuorum. Origenes, In Canticum Canticorum, Homilia I, Interprete Divo Hieronymo Source: Migne PG 13.45c-46a

Declare to me whom my soul loves, where you pasture, where you sleep at noon. 1 I do not seek other times, at evening, at dawn, when in distant fields he slumbers, I ask for that time when the day flourishes, when it is at its full light in the majesty of your splendour. 'Declare to me whom my soul loves, where you pasture, where you sleep at noon.' Diligently observe where you may read of noon. At noon brothers feasted with Joseph, at noon angels were received by Abraham, and other things like this. Seek and you shall find that Divine Scripture does not employ any word in vain or by chance. Who of us do you think is worthy that at noon he may draw near and see where He pastures, where the bridegroom sleeps? 'Declare to me whom my soul loves, where you pasture, where you sleep at noon.' For unless you shall announce it to me I shall begin to rush about in error and while I seek you I shall run into the flocks of others. And because I blush at the sight of others, I shall begin to cover my face and mouth. I certainly am the fair bride, and I do not show my uncovered face to others, only to you alone by whom I was once kissed. 'Declare to me whom my soul loves, where you pasture, where you sleep at noon,' lest I am overwhelmed by the flocks of your companions. So that I do not suffer this, so that I am not overwhelmed, and I am not covered, and I come to others, and perhaps I begin to love those I do not know, thus declare to me where I should seek you and find you at noon, lest perhaps I become as one overwhelmed by the flocks of your companions. Origen, Commentary On The Song of Songs, from Homily 1, translated by Saint Jerome 1 Song 1.6

Not Knowing Oneself

Si ignoras te... Vox sponsi. Et facit hic tria: Minatur, blanditur sponsae, ponit etiam facultates quibus Ecclesia cognitionem sui possit obtinere. Continuatio. Quaeris cognitionem mei? ad quam necesse est tibi, o pulchra, virtutibus et electione mea ut te cognoscas, scilicet dignitatem tuam quam per fidem dedi tibi, et dando tibi corpus et sanguinem meum, insuper caetera spiritualia dona, quia si ignoras te in qua dignitate sis, ex hoc quod sponsa mea es, egredere de consortio Ecclesiae, et abi, id est longe fias ab Ecclesia, ut etiam perdas virtutes quas prius habebas. Abi dico, post vestigia, id est imitando opera, gregum, et sic pasce haedos, id est in fetidis actibus tuis delecteris, et sint tibi pastus; et hoc, juxta tabernacula pastorum, imitando eos qui se dicunt pastores et in tabernaculis Deo militantes, et non sunt, sed haeretici, vel juxta tabernacula verorum pastorum, et non intra. Volunt enim haeretici auctoritatem suarum immunditiarum trahere ex Scripturis sanctis in quibus viri sancti militant Deo, ut quidam dicti Nicolaitae quorum haeresis reprobatur. Anselmus Laudunensis, Enarrationes in Cantica canticorum, Caput I Source: Migne PL 162.1193b-c

If you do not know yourself... 1 The voice of the bridegroom. Here three things are done, There is warning, there is persuasion of the bride, and he sets down the ways by which the Church might obtain knowledge of herself. To continue, 'Do you seek knowledge of me? Go to what is necessary for you, O fair one, with virtues and my election you shall know yourself, that is, your dignity which I have given to you with faith, even giving you my body and blood, and other spiritual gifts as well, for if you do not know what dignity you have, by which you are my bride, you shall go out from the gathering of the Church, and to go out is to set oneself far from the Church, so that you ruin those virtues which you once had. To go out, I say, is after the ways, that is, in imitation of the flocks, and thus you shall pasture goats, that is, you shall delight in your vile acts, and they shall be your nourishment, and this beside the tents of the shepherds, in imitation of those who call themselves shepherds and fighters in the tents of God, and they are not, but they are heretics who are beside the tents of the true shepherds and not within them. For the heretics wish to draw the uncleanliness of their authority from Holy Scripture in which they are holy men fighting for God, as it was said was the heresy of the Nicolaitans was reproved. 2 Anselm of Laon, Commentary On The Song of Songs, Chapter 1 1 Song 1.7 2 Apoc 2.6,15

Considerations Of Saffron

Nάρδος καὶ κρόκος κάλαμος καὶ κιννάμωμον μετὰ πάντων ξύλων τοῦ Λιβάνου σμύρνα αλωθ μετὰ πάντων πρώτων μύρων Ὑπόλοιπον δ’ ἂν εἴη τοῦ κρόκου τὸ αἴνιγμα παραστῆσαι τῷ λόγῳ. Φασὶ μὲν οὖν οἱ τὴν δύναμιν τοῦ ἄνθους τούτου κατανοήσαντες μέσως ἔχειν ψύξεώς τε καὶ θερμότητος καὶ τῷ φεύγειν τὴν ἐφ’ ἑκάτερον ἀμετρίαν παρηγορικὴν τῶν ὀδυνῶν ἔχειν τὴν δύναμιν, ὡς διὰ τούτου τάχα τὸν περὶ τῆς ἀρετῆς ἡμῖν λόγον φιλοσοφεῖν τῷ αἰνίγματι, διότι πᾶσα ἀρετὴ δύο κακιῶν ἐστι μέση, τῆς τε ἐλλείψεως τοῦ καλοῦ καὶ τῆς ὑπερπτώσεως. Oἷον τὴν ἀνδρείαν ἢ τὴν ἐλευθερίαν φασί, τὴν μὲν δειλίας τε καὶ θρασύτητος, τὴν δὲ μικρολογίας τε καὶ ἀσωτίας ἐν μέσῳ θεωρεῖσθαι· καὶ τὴν μὲν δειλίαν τε καὶ μικρολογίαν κατ’ ἔλλειψιν τοῦ καθήκοντος ἐν κακίᾳ λέγουσι γίνεσθαι, τὴν δὲ ἀσωτίαν καὶ τὴν θρασύτητα κατὰ πλεονασμὸν καὶ ὑπέρπτωσιν, τῆς δὲ καθ’ ἑκάτερον ἀμετρίας τὸ μέσον ἀρετὴν ὀνομάζουσιν. Oὐκοῦν ἔχοι ἄν τι πρὸς τὴν ἀρετὴν ὁ περὶ τοῦ κρόκου λόγος ἀκόλουθον τῇ τῆς δυνάμεως μεσότητι τὸ ἀνελλιπές τε καὶ τὸ ἀπέριττον τῆς ἐναρέτου καταστάσεως ἑρμηνεύων, ἐγὼ δέ φημι, κἂν ἰδιωτικώτερον ᾖ τὸ λεγόμενον, τάχα μᾶλλον πρὸς τὸν τῆς πίστεως λόγον οἰκειότερον τὸ αἴνιγμα τοῦ κρόκου παραλαμβάνεσθαι· τριπλῷ μὲν γὰρ ὑποτρέφεται τὸ ἄνθος τῷ κάλυκι καὶ αὐτὸς δὲ ὁ κάλυξ ἐν ἀεροειδεῖ τῇ χρόᾳ ἄνθος ἐστίν, ἐκδυθείσης δὲ τῆς τῶν καλύκων περιβολῆς τρία εὑρίσκεται πάντως τὰ εὐπνοοῦντα καὶ χρησιμεύοντα πρὸς τὰς ἰάσεις ἄνθη τὰ ὑποκεκρυμμένα τοῖς κάλυξι, μεγέθει καὶ κάλλει καὶ εὐπνοίᾳ καὶ τῇ τῆς δυνάμεως ἰδιότητι ὡσαύτως πρὸς ἄλληλα ἔχοντα καὶ ἓν τὰ τρία διὰ πάντων δεικνύμενα εὐχροίᾳ τε, καθὼς εἴρηται, καὶ εὐπνοίᾳ καὶ τῷ ποιῷ τῆς δυνάμεως. Oἷς συμπαραπέφυκεν ἕτερα τρία, ξανθὰ μὲν ἰδεῖν ἄποια δὲ πρὸς πᾶσαν ὑγιεινὴν εὐχρηστίαν. Περὶ ἃ γίνεται τοῖς ἀπείροις ἡ πλάνη τοῖς διὰ τὴν εὔχροιαν τὸ νόθον δρεπομένοις ἀντὶ τοῦ κρείττονος. Ὅπερ καὶ νῦν ποιοῦσιν οἱ περὶ τὴν πίστιν ἐξαμαρτάνοντες τὰς σεσοφισμένας ἀπάτας πρὸ τῶν ὑγιεινῶν δογμάτων αἱρούμενοι. Ἅγιος Γρηγόριος Νύσσης, Ἐξηγησις Του Αἰσματος Των Ἀσμάτων, Ὁμιλία θʹ Source: Migne PG 44.969d-972c

Nard and saffron, sweet cane and cinnamon, with all the trees of Lebanon, myrrh and aloes with all the best perfumes. 1 What remains is to express in words the mystery of saffron. Those who have acquired some understanding of the power of this flower say that it is a mean between cold and heat, and that because of its avoidance of extremes to which the latter incline it has the power of easing pain. Perhaps, then, because of this, one can use the mystery of saffron to philosophize on virtue, that is, that every virtue is a mean between the two evils of falling short of the good and of exceeding it. 2 Courage and liberality, they say, are to be understood as the means between terror and recklessness and miserliness and prodigality, and they say that because terror and miserliness fall short of what is right they are evils, and prodigality and recklessness are evils because they exceed and exaggerate what is right, and thus they name virtue as the mean between each extreme. Therefore what is said of saffron may have analogy with virtue and because the power of saffron produces a median state thus interpret for us the lack of defect and excess in the condition of virtue. But as inexperienced as my speech may be, I say that it perhaps may be more correct to consider that the mystery of saffron touches on the understanding of faith, for this flower is nourished with a threefold corolla and it is the colour of the sky, and when the cover of these outer petals are removed, three flowers which were previously hidden by the petals are revealed, which are replete with fragrance and useful for healing, and which flowers are similar in size and fairness and fragrance and special power, and the three are one in all things, in the freshness of appearance, and as said, in fragrance and in special power. Then another three grow with them, yellow to the eye, but without any power of healing. And concerning these error besets those who are inexperienced, for they pluck what is inferior instead of what is better because of the attractive hue. And even now those who err regarding the faith do this by taking hold of clever deceits rather than the teachings which restore health. Saint Gregory of Nyssa, Commentary on The Song of Songs, from Homily 9 1 Song 4.14 2 Aristotle, Nic Eth 1107a

Darkness And Fairness

Nigra sum, sed formosa, filiae Jerusalem, sicut tabernacula Cedar, sicut pelles Salomonis. Merito nigredinem non contemnit in pellibus, decorem qui sub pellibus est advertens. Et ideo quidam illam contempserunt, quia hunc minime cognoverunt: si enim cognovissent, nunquam Dominum gloriae crucifixissent. Non cognovit Herodes, et idcirco despexit; non cognovit Synagoga, quae nigredinem illi passionis et infirmitatis improperans, Alios, ait, salvos fecit, seipsum non potest salvum facere. Christus rex Israel descendat nunc de cruce, et credimus ei. Sed cognovit latro de cruce, licet in cruce, qui et innocentiae puritatem confessus est. Hic autem, inquiens, quid mali fecit? et gloriam regiae maiestatis simul est protestatus: Memento mei, dicens, dum veneris in regnum tuum. Cognovit centurio, qui Filium Dei clamat; cognoscit Ecclesia, quae et aemulatur nigredinem, ut decorem participet. Non confunditur nigra videri, nigra dici, ut dilecto dicat: Opprobria exprobrantium tibi ceciderunt super me. At sane nigra instar pellium Salomonis, foris scilicet, et non intus: neque enim intus nigredinem meus Salomon habet. Denique non ait: Nigra sum sicut Salomon; sed, sicut pelles Salomonis: quod in superficie tantum sit veri nigredo pacifici. Peccati nigredo intus est; et prius interiora culpa commaculat, quam ad oculos prodeat. Denique de corde exeunt cogitationes malae, furta, homicidia, adulteria, blasphemiae: et haec sunt quae coinquinant hominem; sed absit ut Salomonem! Minime prorsus apud verum pacificum istiusmodi inquinamenta reperies. Oportet namque esse sine peccato eum qui tollit peccata mundi, quo ad reconciliandos peccatores inventus idoneus, iure sibi nomen vindicet Salomonis. Sed est nigredo affligentis poenitentiae, cum assumitur lamentatio pro delictis. Hanc fortassis non abhorreat in me Salomon, si sponte tamen induam mihi pro peccatis meis; quia cor contritum et humiliatum Deus non despiciet. Est et afficientis compassionis, si afflicto condoleas; et fraternum te decoloret incommodum. Nec hanc profecto reiiciendam putat noster pacificus, quippe quam et sibi ipse pro nobis dignanter induit, qui peccata nostra tulit in corpore suo super lignum. Est et persecutionis: quae etiam pro summo ornamento habetur, si quidem suscipiatur pro iustitia et veritate. Unde est illud: Ibant gaudentes discipuli a conspectu concilii, quoniam digni habiti sunt pro nomine Iesu contumeliam pati; denique: Beati qui persecutionem patiuntur propter iustitiam. Hac potissimum gloriari Ecclesiam arbitror, hanc libentius imitari de pellibus sponsi. Denique et habet in promissione: Si me persecuti sunt, et vos persequentur. Sanctus Bernardus Clarae Vallensis, In Cantica Canticorum, Sermo XXIX, De Nigredine et Formositute Sponsi Source: Migne PL 183.926d-927d

I am dark, but fair, O daughters of Jerusalem, like the tents of Kedar, like the curtains of Solomon. 1 Rightly she did not scorn the darkness of the curtains, looking to the beauty beneath them. And therefore some were scornful because they did not know the beauty at all. 'For if they had known, they would not have crucified the Lord of glory.' 2 Herod did not know and therefore he despised Him. The Synagogue did not know, which mocked the darkness of the Passion and weakness, saying, 'He saved others, He cannot save himself. Let Christ the king of Israel come down now from the cross, and we will believe in Him.' But the thief on the cross knew Him and on the cross he proclaimed the spotlessness of His innocence, saying 'What evil has this man done?' And at the same time he bore witness to His kingly majesty, saying 'Remember me when you come into your kingdom.' The centurion knew Him, calling Him the Son of God. 3 The Church knows Him and strives to imitate His darkness that she may participate in His beauty. She is not ashamed to appear dark, to be called dark, for she can then say to her beloved, 'The insults of those who insult you have fallen on me.' 4 But let the darkness be as Solomon's curtains, that is, on the outside and not within, for my Solomon has no darkness within. Here she does not say, 'I am dark like Solomon,' but 'like the curtains of Solomon,' for the darkness of the true Peaceful One is only on the outside. The darkness of sin is within. Sin stains the interior rather than showing itself to the eyes. 'Out of the heart come evil thoughts, theft, murder, adultery, fornication, blasphemy, and these are what defile a man.' 5 But far be it from Solomon! You will not find these sorts of defilements in the true Peaceful One. For He must be without sin who takes away the sins of the world. 6 So that he is found fit to reconcile sinners he must duly vindicate for himself the name of Solomon. But there is a darkness of the endurance of penance, when sorrow is taken up for sins. Solomon will not be repulsed if I willingly adopt it because of my sins, since 'God will not scorn a contrite and humble heart.' 7 And there is a darkness of compassion, when you comfort a brother in his affliction and his trouble makes you gloomy. Nor does our Peaceful One think of rejecting this, since He Himself graciously underwent it for us, 'He who bore our sins in his body on the tree.' 8 And there is a darkness of persecution, which is a the greatest adornment when endured for righteousness and truth. Thus it is said, 'The Apostles went out from the council rejoicing that they had been found worthy to suffer abuse for the name of Jesus.' And 'Blessed are those who are persecuted for righteousness.' 9 I think that the Church glories especially in freely imitating this darkness of the curtains of her Bridegroom. She has the promise, 'If they have persecuted me, they will also persecute you.' 10 Saint Bernard of Clairvaux, Commentary On The Song of Songs, from Sermon 29, On The Darkness And Fairness of the Bridegroom 1 Song 1.5 2 1 Cor. 2.8 3 Mt 27.42, Lk 23.41-42, Mt 27.54 4 Ps 68.10 5 Mt 15.19-20 6 Jn 1.29 7 Ps 50.19 8 1 Pet 2.24 9 Acts 5.41, Mt 5.10 10 Jn 15.20

Remaining Watchful

᾿Εγὼ καθεύδω, καὶ ἡ καρδία μου ἀγρυπνεῖ... Κἂν γὰρ ὑπὸ τῆς φύσεως ἀναγκασθῷ μύσαι τοὺς ὀφθαλμοὺς, καὶ τὸν ὕπνον δέξασθαι, κατὰ διάνοιαν ἐγρήγορα, καὶ τὸν τῆς ῥᾳθυμίας ὕπνον σὺ καταδέχομαι, τοῦ νυμφίου τὴν παρουσίαν προσμένουσα. Διὸ καὶ αἰσθάνομαι τῶν ἐκείνου κρουμάτων. Φωνὴ γὰρ, φησὶν, ἀδελφιδοῦ μου κρούει ἐπὶ θύραν. Παραθήσωμεν, εἰ δοκεῖ, τούτοις τὰ ἐν τοῖς θείοις Εὐαγγελίοις ὑπὸ τοῦ καλοῦ ποιμένος εἰρημένα· Τὰ πρόδατα γὰρ, φησὶ, τὰ ἐμὰ τῆς φωνῆς μου ἀκούει. Καὶ πάλιν· Αλλοτρίῳ δὲ οὐ μὴ ἀκολουθήσωσιν, ὅτι οὐκ οἴδασι τῶν ἀλλοτρίων τὴν φωνήν. Μακάριος τοίνυν ὁ ποιμαινόμενος, καὶ τοῦ ποιμένος τὴν φωνὴν ἐπιγινώσκων. Μαχάριος ὁ νυμφοστολούμενος, καὶ διακρίνειν ἐπιστάμενος φωνὴν μοιχοῦ καὶ νυμφίου μακάριος ὁ λέγων· Οὐ δώσω ὕπνον τοῖς ὀφθαλμοῖς μου, καὶ τοῖς βλεφάροις μου νυσταγμὸν, ἀλλ᾽ ἐγρηγορὼς καὶ τὸν νυμφίον ἀναμένων κατὰ τὴν αὐτοῦ τοῦ Κυρίου παραίνεσιν· Γρηγορεῖτε γὰρ, φησὶν, ὅτι οὐκ οἴδατε ποίᾳ ὥρᾳ ὁ Κύριος ὑμῶν ἔρχεται. Ταύτην δὲ καὶ ὁ μακάριος Παῦλος προσφέρει τὴν συμθουλὴν, λέγων· Γρηγορεῖτε, στήκετε ἐν τῇ πίστει, ἀνδρίζεσθε, κραταιοῦσθε, πάντα ὑμῶν ἐν ἀγάπῃ γινέσθω. Θεοδώρητος Ἐπίσκοπος Κύρρος, Ἑρμηνεία Εἰς Το Ἀσμα Των Ασμάτων, Λόγος Γ, Κεφαλή Ε’ Source: Migne PG 81.149b-c

I slept and my heart was watchful... 1 For although, it says, by nature I was forced to close my eyes and sleep, yet my mind was watchful and I hardly took up the idleness of sleep, since I expected the coming of the bridegroom. So I heard his knocking. 'The voice of my brother,' it says, 'knocked on the door.' Let us add, as seems right, those things which were said of the good shepherd in the Gospels. 'For my sheep,' He says, 'hear my voice.' And again, 'They do not follow a stranger, because they do not recognise the voice of strangers.' 2 Blessed is the one who is so shepherded and knows the voice of the shepherd. Blessed is is the one who has been chosen by the bridegroom and knows how to distinguish between the voice of the adulterer and the voice of the bridegroom. Blessed is the one who says, 'I shall not give sleep to my eyes, nor slumber to my eyelids,' 3 but watches and waits for the bridegroom, as the Lord Himself admonishes, 'Watch, because you do not know the hour your master shall come.' 4 And the blessed Paul gives the same counsel, 'Watch, stand firm in faith, act bravely, be strong, doing everything in love.' 5 Theodoret of Cyrrhus, Commentary on the Song of Songs, Book 3, Chapter 5 1 Song 5.2 2 Jn 10.27, Jn 10.5 3 Ps 131.4 4 Mt 24.42 5 1 Cor 16.13-14

The Flower Of The Field

Ego flos campi, et lilium convallium. Sicut lilium inter spinas, sic amica mea inter filias. Ego flos. Vox sponsi, et commovet Ecclesiam ad passionem sustinendam, et proponit se eis ad exemplum, quia sine sua necessitate multa sustinuit, ut si diceret: Vocavi te pulchram et tu es, sicut lilium inter spinas. Sicut enim spinae vento motae lacerant lilium ac perforant, sic filiae, id est, mollitiis saeculi dediti, inspiratione diaboli agitati, laniant sanctam Ecclesiam, nec tu debes fugere, imo sis lilium, quia ego cum non indigebam fui lilium, id est, ego fui flos campi, et fui lilium, scilicet punctus multis persecutionibus, ego quidem qui fui lilium ut pungerer, fui et lilium, id est decus convallium, id est humilium. Anselmus Laudunensis, Enarrationes in Cantica canticorum, Caput II Source: Migne PL 162.1196d-1197a

I am a flower of the field and a lily of the valley. Like a lily among thorns, so my love among the maidens. 1 The voice of the spouse, and He encourages the Church to the endurance of suffering, and proposes Himself to them as an example, because without necessity He endured many things. As if He said, 'I have called you beautiful, and you are, as a lily among thorns. For as thorns moved by the wind scratch and pierce the lily, so the maidens, that is, those shaped by the softness of the world, agitated by the influence of the devil, wound the holy Church, which you should not flee, though you are a lily, because I did not scorn to become a lily, that is, I was a flower of the field, and a lily, that is, I was pierced by many blows. I certainly was one who was a lily that was assaulted, I was a flower of the field and a lily, that is, the adornment of the valley, that is, of the humble.' Anselm of Laon, Commentary On The Song of Songs, Chapter 2 1 Song 2.1-2

Beauty And Proximity

Rursus sponsi ad eam sermo dirigitur, et dicit: Ecce speciosa proxima mea, ecce speciosa... Illa sic dicit ad sponsum: Ecce speciosus fratuelis meus; non adjungit, et proximus meus. Hic autem quando loquitur ad eam: Ecce speciosa, adjungit et, proxima mea. Quare autem illa non dicit: Ecce speciosus proximus meus mihi, sed tantum, ecce speciosus? Quare ille non solum, speciosa es, dicit, sed, speciosa es proxima mea? Sponsa si longe fuerit a sponso, non est speciosa; tunc pulchra fit, quando Dei verbo conjungitur. Et merito nunc docetur a sponso, ut proxima sit, et a suo latere non recedat. Ecce speciosa proxima mea, ecce speciosa. Incipis quidem esse speciosa ex eo quod proxima mihi es: postquam autem coeperi esse speciosa, etiam sin additamento proximae, absolute es speciosa. Ecce speciosa proxima mea, ecce speciosa.  Origenes, In Canticum Canticorum Homilia II, Interprete Divo Hieronymo Source: Migne PG 13.50b-c

Again the speech of the bridegroom is directed to her, 'Behold my beautiful one, my near one, behold my beautiful one...' 1 Then she says to the bridegroom, 'Behold my fair brother,' but she does not add, 'my near one.' But when he says to her, 'Behold my beautiful one,' he does add, 'my near one.' Why does she not say 'Behold my beautiful one, my near one,' but only, 'Behold my beautiful one?' Why does he not say just say 'My beautiful one,' but also, 'my near one?' If the bride is far from the bridegroom, she is not beautiful. She becomes beautiful when she is joined to the Word of God. And rightly it is now taught by the bridegroom, so that she might be near and not withdraw from his side. 'Behold my beautiful one, my near one, my beautiful one.' You begin to be beautiful because you are near me, and after you have begun to be beautiful, your nearness increases it to a flawless beauty. 'Behold my beautiful one, my near one, behold my beautiful one.' Origen, Commentary On The Song of Songs, from Homily 2, translated by Saint Jerome 1 Song 1.14

The Bride, The Fountain and the Garden

Κῆπος κεκλεισμένος ἀδελφή μου νύμφη, κῆπος κεκλεισμένος, πηγὴ ἐσφραγισμένη. Oὐκοῦν ὁ τῶν τοιούτων δένδρων κῆπος γεγονὼς εὐθαλὴς καὶ κατάφυτος καὶ τῷ τῶν ἐντολῶν ἑρκίῳ πανταχόθεν ἠσφαλισμένος, ὡς μηδεμίαν καθ’ ἑαυτοῦ παρασχεῖν τῷ κλέπτῃ καὶ τοῖς θηρίοις τὴν πάροδον, ὁ γὰρ ἐν κύκλῳ τῷ φραγμῷ τῶν ἐντολῶν διειλημμένος ἀνεπίβατός ἐστι τῷ μονιῷ τῷ ἀγρίῳ καὶ ὁ ἐκ τοῦ δρυμοῦ αὐτὸν ὗς οὐ λυμαίνεται, εἴ τις τοίνυν καὶ κῆπός ἐστι καὶ ἠσφαλισμένος, οὗτος ἀδελφὴ καὶ νύμφη γίνεται τοῦ πρὸς τὴν τοιαύτην εἰπόντος ψυχὴν ὅτι Κῆπος κεκλεισμένος ἀδελφή μου νύμφη. Ἀλλὰ τῷ κήπῳ τούτῳ καὶ πηγῆς ἐστι χρεία, ὡς ἂν εὐθαλὲς διαμένοι τὸ ἄλσος τῷ ὕδατι πρὸς τὸ διηνεκὲς πιαινόμενον. διὰ τοῦτο συνέζευξεν ἐν τοῖς ἐπαίνοις τὴν πηγὴν τῷ κήπῳ εἰπὼν ὅτι Κῆπος κεκλεισμένος, πηγὴ ἐσφραγισμένη. Tὸν δὲ περὶ τῆς πηγῆς λόγον ἡ Παροιμία διδάσκει ἡμᾶς δι’ αἰνίγματος ἐν οἷς φησιν ὅτι Ἡ πηγὴ τοῦ ὕδατός σου ἔστω σοι ἰδία· καὶ Ἔστω σοι μόνῳ καὶ μηδεὶς ἀλλότριος μετασχέτω σοι, ὡς γὰρ ἐκεῖ κωλύει τοῖς ἀλλοτρίοις ἐνδαπανᾶσθαι τῆς πηγῆς τὸ ὕδωρ, οὕτως ἐνταῦθα τὸ μηδαμοῦ διαχεῖσθαι πρὸς ἀλλοτρίους τὴν πηγὴν μαρτυρεῖ διὰ τοῦ εἰπεῖν ὅτι Ἐσφραγισμένη, ὅπερ ἴσον ἐστὶ τῷ εἰπεῖν ὅτι πεφυλαγμένη. Tὸ δὲ λεγόμενον τοιοῦτόν ἐστι· πηγὴ κυρίως κατονομάζεται κατά γε τὸν ἐμὸν λόγον ἡ διανοητικὴ τῆς ψυχῆς ἡμῶν δύναμις ἡ παντοίους λογισμοὺς ἐν ἡμῖν βρύουσά τε καὶ πηγάζουσα. Ἀλλὰ τότε ἡμέτερον γίνεται τῆς διανοίας τὸ κίνημα, ὅταν πρὸς τὰ συμφέροντα ἡμῖν κινῆται πᾶσαν ἡμῖν συνεργίαν πρὸς τὴν κτῆσιν τῶν ἀγαθῶν παρεχόμενον. ὅταν δέ τις τρέψῃ τῶν λογισμῶν τὴν ἐνέργειαν πρὸς κακίας ἐπίνοιαν, τότε τοῖς ἀλλοτρίοις ἐνδαπανᾶται τὸ ῥεῖθρον, ὡς εὐτροφεῖν μὲν τὸν ἀκανθώδη βίον τῇ συμμαχίᾳ τῶν λογισμῶν καταρδόμενον, ἀποξηραίνεσθαι δὲ καὶ μαραίνεσθαι τὴν κρείττω φύσιν μηδεμιᾶς τῆς ἐκ λογισμῶν ἰκμάδος ὑποτρεφούσης τὴν ῥίζαν. Ἐπειδὴ τοίνυν ἡ σφραγὶς τὸ ἄσυλον τῷ δι’ αὐτῆς φυλασσομένῳ χαρίζεται φοβοῦσα τῷ σημάντρῳ τὸν κλέπτην, πᾶν δὲ τὸ μὴ κλεπτόμενον τῷ δεσπότῃ μένει ἀκέραιον, τὴν ἀκροτάτην ἔοικεν ἀρετὴν μαρτυρεῖν τῇ νύμφῃ ἐνταῦθα ὁ ἔπαινος, ὅτι ἀνέπαφος αὐτῆς μένει τοῖς ἐχθροῖς ἡ διάνοια ἐν καθαρότητι καὶ ἀπαθείᾳ φυλασσομένη τῷ ἰδίῳ δεσπότῃ· σφραγίζεται γὰρ τὴν πηγὴν ταύτην ἡ καθαρότης μηδεμιᾷ νοημάτων ἰλύϊ τὸ διαυγές τε καὶ ἀερῶδες τῆς καρδίας ἐπιθολώσασα. Ὡς δ’ ἄν τις ἐπὶ τὸ σαφέστερον προαγάγοι τὸ νόημα, τοιοῦτόν ἐστιν· ἐπειδὴ τῶν ἐν ἡμῖν τὰ μὲν ὡς ἀληθῶς ἐστιν ἡμέτερα, ὅσα τῆς ψυχῆς ἐστιν ἴδια, τὰ δὲ οἰκειούμεθα ὡς ἡμέτερα, τὰ περὶ τὸ σῶμά τε καὶ τὰ ἔξωθεν λέγω, διά τινος ἡμαρτημένης ὑπολήψεως ἴδια νομίζοντες τὰ ἀλλότρια, τί γὰρ κοινὸν τῇ ἀΰλῳ τῆς ψυχῆς φύσει πρὸς τὴν ὑλικὴν παχυμέρειαν, τούτου χάριν ὅ γε παροιμιώδης συμβουλεύει λόγος μὴ τοῖς ἀλλοτρίοις ἡμῶν, τοῖς περὶ τὸ σῶμά φημι καὶ τὰ ἔξωθεν, τὴν πηγὴν τῆς διανοίας ἐναναλίσκεσθαι, ἀλλὰ περὶ τὸν ἴδιον ἀναστρέφεσθαι κῆπον τὴν τοῦ θεοῦ φυτείαν πιαίνουσαν. Ἀρετὰς δὲ εἶναι τὴν φυτείαν τοῦ θεοῦ μεμαθήκαμεν, περὶ ἃς ἡ διανοητικὴ τῆς ψυχῆς ἡμῶν δύναμις ἀσχολουμένη καὶ πρὸς οὐδὲν τῶν ἔξωθεν ἀπορρέουσα τῷ χαρακτῆρι τῆς ἀληθείας σφραγίζεται, τῇ πρὸς τὸ ἀγαθὸν σχέσει ἐμμορφουμένη. Ἅγιος Γρηγόριος Νύσσης, Ἐξηγησις Του Αἰσματος Των Ἀσμάτων, Ὁμιλία θʹ Source: Migne PG 44.864b-865b

My sister bride is an enclosed garden, a garden enclosed, a fountain sealed. 1 So he who has become a garden with trees like these, flourishing and fully planted and protected on every side by the fence of the commandments so that there is no entrance possible for the thief or wild beasts, for the one encircled by the bar of the commandments is inaccessible to the 'savage pig,' and 'the boar from the forest' does not 'ravage' him, 2 if, then, I say, someone is both a garden and one that is protected, he becomes the sister and bride of the One who says to such a soul, 'My sister bride is an enclosed garden.' A garden like this, though, has need of a spring so that the grove may continue to flourish by being fed with a continuous supply of water. That is why the Bridegroom adds a fountain along with the garden in his praises and says 'a garden enclosed, a fountain sealed.' Regarding the significance of the fountain, Proverbs instructs us in a mystery where it says, 'Let your fountain of water be your own,' and 'Let it be yours only and let no stranger share it with you.' 3 For just as there the it forbids the fountain's waters to be spent on strangers, so here, by the expression 'sealed,' which is to say 'it has been kept safe,' it testifies that the stream from the fountain is not scattered anywhere for the sake of strangers. As I see it, what is most properly termed fountain is the soul’s faculty of reasoning, which teems within us with all sorts of thoughts and like a fountain gushes them forth. But the motion of the reasoning faculty becomes properly ours only when it is directed to what is beneficial for us and when it assists us in every way to possess good things. But when someone turns the working of his thoughts toward the working of evil, then the stream spends itself on things alien, in which the life of thorns flourishes, watered as it is by the help of such thoughts, while the higher nature withers and dries up because its root is not nourished by the water of his thoughts. Since, then, the seal, which inspires the thief with terror by its mark, confers inviolability upon whatever is guarded by it, and since whatever is not stolen remains the unspoiled property of its owner, the praise accorded here seems to ascribe the highest possible virtue to the Bride, namely, that her mind remains untouched by her enemies because it is preserved for its proper owner in purity and impassibility. For this fountain is sealed by purity, and no turbid thoughts obscure the transparency and clarity of its heart. And in order to make our thoughts as clear as can be, let us say this, that of the things that are within us, there are some things that are truly ours, that is, whatever is proper to the soul, and there are some things associated with the body and things outside of us, that we appropriate as though they were ours because by reason of some erroneous notion we think what is alien to be our own. What, after all, does the immaterial nature of the soul have in common with the coarse crudity of matter? This is why Proverbs counsels us not to spend our mind’s fountain on what is alien to us, which I say is the body and things outside of us, but we should turn away to the increase of the garden of God’s planting. And we have learned that God’s planting is the virtues, and when the thinking faculty of the soul is attentive to these and not flowing off to something external, it is sealed with the mark of truth and shaped by a disposition for what is good. Saint Gregory of Nyssa, Commentary on The Song of Songs, from Homily 9 1 Song 4.12 2 Ps 79.14 3 Prov 5.17–18

Draw Me After You

Oleum effusum nomen tuum; ideo adolescentulae dilexerunt te. Trahe me, post te curremus in odorem unguentorum tuorum. Allegorice: Adolesentulae sunt quasi novellae, quia baptisma et gratiam Spiritus sancti renovatae. Dicit ergo Ecclesia sponso, id est Chriso: Trahe me post te. Per gratiam imitandum dicunt adolescentulae, id est Ecclesiae ejus filiae, Curremus, et nos fide et dilectione, in odore unguentorum tuorum, id est in consideratione miraculorum tuorum vel in fama operum tuorum, vel in fide aeternorum bonorum. Tropologice: fidelis anima, bonum volens, et per se non valens, clamat Christo: Trahe me post te. Hoc est, da gratiam ut post tua vestigia ad te, qui es via, veritas et vita. Nullus enim homo ad poenitentiam convertitur, nisi per gratiam trahatur. Anagogice: Ecclesia peregrinans, superna appetens, et per se assequi non valens, clamat: Trahe me post te. De hoc mundo ad coelestem gloriam, ut te in illa face ad faciem videam, quia nullus per se ad illam pervenitre poterit, nisi gratia et dextera Dei illum traxerit. Honorius Augustodunensis, Expositio in Cantica Canticorum, Caput I Source: Migne PL 172.365d-366a

Your name is oil poured out, therefore the young maidens love you. Draw me, after you we shall run, in the fragrance of your ointments. 1 Allegorically the young maids are the new plantings who have been renewed through baptism and the grace of the Holy Spirit. Therefore the Church says to the bridegroom, that is, Christ, 'Draw me, after you...' Through grace they are portrayed as young maids, that is, the daughters of His Church. 'We shall run,' even us in faith and love, '...in the fragrance of your ointments,' that is, in the remembrance of your miracles and in the fame of your works, and in the faith of eternal goods. Tropologically the faithful soul, wishing for the good and unable to come to it itself, cries out to Christ, 'Draw me, after you...' That is, give me grace so that in your footsteps I might come to you, who are the way and the truth and the life. 2 For no man turns to penance unless he is drawn by grace. Anagogically the pilgrim Church, desiring heavenly things, and by itself unable to attain it, cries out, 'Draw me, after you...' From this world to heavenly glory, so that I might see you face to face, 3 because no one is able to come there by himself, unless grace and the right hand of God should draw him. Honorius of Autun, Commentary on The Song of Songs, Chapter 1 1 Song 1.2-3 2 Jn 14.6 3 1 Cor 13.12

Belonging And Obedience

Dilectus meus mihi, et ego illi, qui pascitur inter lilia, donec aspiret dies, et inclinentur umbrae. Dilectus meus mihi haec locutus est, et ego illi, subaudis obediam, qui pascitur inter lilia, hoc est delectatur in operibus eorum qui sunt candidi in virtutibus, qui sunt decus aliorum, ut lilium spinarum. Et tandiu in his pascitur, et tandiu obediam alios docendo, donec aspiret dies, id est donec scientia aeternae claritatis adveniat, ubi omnes verum lumen videant, et donec inclinentur umbrae, id est donec ignorantia praesentis vitae pertranseat. Honorius Augustodunensis, Expositio in Cantica Canticorum, Caput II Source: Migne PL 172.394c-d

My beloved is mine and I am his, he who feeds among the lilies, until the day breaks and the shadows decline... 1 'My beloved is mine,' she says, 'and I am his,' meaning I shall be obedient to him, 'who feeds among the lilies,' which is to delight in the works of those who are bright with virtue, who are as worthy among others as 'a lily among thorns.' 2 And on these he shall feed, and my obedience shall teach others, 'until the day breaks,' that is, until the knowledge of eternal brightness comes, when all shall see the true light, and until 'the shadows decline,' which is when the ignorance of the present life passes by. Honorius of Autun, Commentary on The Song of Songs, Chapter 2 1 Song 2.16-17 2 Song 2.2

Death And Resurrection

Ἀρχὴ δὲ γενέσθω τοῦ λόγου τῶν θεοπνεύστων ῥημάτων ἡ μνήμη ἐπὶ λέξεως ἔχουσα οὕτως· Ἀνέστην ἐγὼ ἀνοῖξαι τῷ ἀδελφιδῷ μου· αἱ χεῖρές μου ἔσταξαν σμύρναν, οἱ δάκτυλοί μου σμύρναν πλήρη, ὅτι μὲν οὖν οὐκ ἔστιν ἄλλως ἐν ἡμῖν γενέσθαι τὸν ζῶντα λόγον, τὸν καθαρὸν λέγω καὶ ἀσώματον νυμφίον τὸν δι’ ἀφθαρσίας καὶ ἁγιότητος ἑαυτῷ τὴν ψυχὴν συνοικίζοντα, εἰ μή τις διὰ τοῦ νεκρῶσαι τὰ μέλη τὰ ἐπὶ τῆς γῆς περιέλοιτο τὸ τῆς σαρκὸς παραπέτασμα καὶ οὕτως ἀνοίξοι τῷ λόγῳ τὴν θύραν, δι’ ἧς εἰς τὴν ψυχὴν εἰσοικίζεται, δῆλόν ἐστιν οὐ μόνον ἐκ τῶν θείων τοῦ ἀποστόλου δογμάτων ἀλλὰ καὶ ἐκ τῶν νῦν εἰρημένων παρὰ τῆς νύμφης· Ἀνέστην γάρ, φησίν, ἀνοῖξαι τῷ ἀδελφιδῷ μου διὰ τοῦ ποιῆσαι τὰς χεῖράς μου τῆς σμύρνης πηγὰς ἀφ’ ἑαυτῶν ῥεούσας τὸ ἄρωμα καὶ πλήρωμα τῶν δακτύλων δεῖξαι τὴν σμύρναν. τὸν γὰρ τρόπον, δι’ οὗ ἀνοίγεται τῷ νυμφίῳ ἡ θύρα, φησὶ διὰ τῶν εἰρημένων ὅτι διὰ τοῦ Συνταφῆναι αὐτῷ διὰ τοῦ βαπτίσματος εἰς τὸν θάνατον ἀνέστην· οὐ γὰρ ἂν ἐνήργησεν ἡ ἀνάστασις μὴ προκαθηγησαμένης τῆς ἑκουσίου νεκρότητος. ἐνδείκνυται δὲ τὸ ἑκούσιον ἡ ἐκ τῶν χειρῶν αὐτῆς ἀπορρέουσα τῆς σμύρνης σταγὼν καὶ τὸ πεπληρῶσθαι τοὺς δακτύλους αὐτῆς τοῦ ἀρώματος τούτου· οὐ γὰρ ἑτέρωθεν ἐγγενέσθαι τῇ χειρὶ λέγει τὴν σμύρναν, ἦ γὰρ ἂν ἐνομίσθη διὰ τούτου περιστατικὸν αὐτῇ καὶ ἀκούσιον συμβῆναι τὸ διὰ τῆς σμύρνης δηλούμενον, ἀλλ’ αὐτάς φησι τὰς χεῖρας, σημαίνει δὲ διὰ τῶν χειρῶν τὰς ἐνεργητικὰς τῆς ψυχῆς κινήσεις, ἀφ’ ἑαυτῶν στάξαι τὴν σμύρναν, τὴν οἴκοθεν ἐκ προαιρέσεως τῶν σωματικῶν παθημάτων γινομένην νέκρωσιν διὰ τούτου σημαίνων, ἣν ἐν πᾶσι τοῖς δακτύλοις πεπληρῶσθαι λέγει, τὰ καθ’ ἕκαστον εἴδη τὰ διῃρημένως δι’ ἀρετῆς σπουδαζόμενα τῷ τῶν δακτύλων διερμηνεύων ὀνόματι· ὡς εἶναι πάντα τὸν νοῦν τῶν λεγομένων τοιοῦτον, ὅτι ἔλαβον δύναμιν ἀναστάσεως διὰ τοῦ νεκρῶσαι τὰ μέλη μου τὰ ἐπὶ τῆς γῆς ἑκουσίως μοι τῆς τῶν τοιούτων μελῶν ἐνεργηθείσης νεκρώσεως, οὐ παρ’ ἄλλου ταῖς χερσὶν ἐντεθείσης τῆς σμύρνης ἀλλ’ ἐκ τῆς ἐμῆς προαιρέσεως ἀπορρεούσης, ὡς καὶ πᾶσι τοῖς κατ’ ἀρετὴν ἐπιτηδεύμασιν, ἅπερ δακτύλους ὠνόμασεν, ἀνελλιπῆ τὴν τοιαύτην ἐνορᾶσθαι διάθεσιν· Ἅγιος Γρηγόριος Νύσσης, Ἐξηγησις Του Αἰσματος Των Ἀσμάτων, Ὁμιλία IB’ Source: Migne PG 44.1016c-1017b

Let the beginning of our speech be from the Divinely inspired words, which my recollection of the text has as: 'I rose up to open to my beloved; my hands dripped myrrh, my fingers were covered with myrrh,' 1 for there is no other way in which the living Word comes within us, and I speak of the pure and incorporeal Bridegroom, who makes the soul dwell with Him through incorruptibility and holiness, that is, if by mortifying one’s earthly members one removes the veil of the flesh 2 and thus opens the door to the Word through which He makes the soul His home, which is clear not only from the Divine teachings of the Apostle but also from what the Bride says here. For saying, 'I rose up to open to my beloved by making my hands founts of myrrh from which its scent pours forth, and by showing my fingers to be covered with myrrh,' she declares the way in which the door is opened to the Bridegroom, that is, she says 'by being buried with him through baptism into His death I have risen up, 3 for there is no real resurrection that is not preceded by a voluntary death.' This voluntary nature is shown by the drops of myrrh that drip from her hands and because her fingers are covered with its scent, for she does not say that the myrrh came on her hands from an outside source, since that would make one think that what the myrrh signifies happened to her accidentally and involuntarily, but she says that her hands themselves, by which she means those motions of the soul that bring actions about, drip myrrh by their very own agency, and by myrrh she refers to the mortification of bodily passions that comes about through a choice that originates in oneself, which, she says, attains fullness in all her fingers, and by the name of 'fingers' she signifies the particular ways among us of the cultivation of virtue. Thus the whole sense of what is said is: 'I have received the power of the resurrection by mortifying my earthly members, which mortification of such members was enacted voluntarily. The myrrh was not placed on my hands by another, but it flowed forth from my own choice, so that in all virtuous pursuits,' which she names fingers, 'a state of this kind is always observed.' Saint Gregory of Nyssa, Commentary on The Song of Songs, from Homily 12 1 Song 5.5 2 2 Cor 3.16, Colos 3.5 3 Rom 6.4

The King And The Cellar

Introduxit me rex in cellaria sua... Secundum allegoraim autem Ecclesia a Christo per gratiam in sacram Scripturam tracta dicit: Introduxit me rex in cellaria sua. Cellaria, in quibus varii potus servantur, sunt libri sacrae Scripturae, de quibus variae sententiae sitientibs justitia propinantur. Cum enim lectio de Joseph legitur, quasi poculum contra adulterium porrigitur; cum vero Judith Scriptura recitatur, quasi castitatis propinatur. In haec cellaria Christus sponsam introduxit, quando sensum ei aperuit, ut intelligeret Scripturas. Christus autem proprie rex dicitur secundum carnem, qua humano generi a Patre praeficiutr, ut scriptum est: Ego autem constitutus sum rex ab eo. Et item ad Pilatum: Tu dicis: Quia rex sum ego. Item: Data est mihi omnis potestas in caelo et in terra. Et iterum: Ipse est qui constitutus est a Dei judex vivorum et mortuorum. Hic solus potest introducere in Scripturam, qui solus potuit septem signacula libri solvere, quae erant ejus incarnatio, nativitas, passio, inferni spoliatio, resurrectio, ascensio, futurum judicium. Honorius Augustodunensis, Expositio in Cantica Canticorum, Caput I Source: Migne PL 172.366d-367a

The King brought me into his cellar.. 1 According to the allegorical sense, 'the king brought me into his cellar,' speaks of the Church that has been drawn into Sacred Scripture by the grace of Christ. The cellar, in which various drinks are kept, are the books of Sacred Scripture and by the drinking of the various passages those who drink are brought closer to righteousness. For when they read of Joseph, it is as they take a drink against adultery, and when Judith is recited it is as if they are brought near to chastity. Into this cellar Christ has brought the bride when He opens her mind so that she might understand the Scriptures. And Christ is called king according to the flesh since He has been set over the human race by the Father, and thus it is written: 'I have established a king for them.' 2 And again to Pilate: 'You say that I am a king.' 3 Again, 'All power is given to me in heaven and earth.' 4 And again: 'He has been established by God as the judge of the living and the dead.' 5 He alone brings us into the Scriptures, He alone is the one who is able to unseal the seven seals of the book, 6 which were His Incarnation, His Nativity, His Passion, His Despoiling of Hell, His Resurrection, His Ascension, and Final Judgement. Honorius of Autun, Commentary on The Song of Songs, Chapter 1 1 Song 1.2 2 Ps 2.6 3 Jn 18.37 4 Mt 28.18 5 Acts 10.42 6 Apoc 5